scott lafaro car accident

He says they formed an immediate friendship, and that musically, Id never felt such an instant connection. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz for Debby, albums considered among the finest live jazz recordings. Q: So if you were all living in California, how was it that your brother was near Geneva when he died? Pianist Prez was then a professor at the New England Conservatory; his student, Read More Explaining the Taubman Approach, Everyone knows that Joe Williams sang the hell out of the blues, but do you know what else he sang the hell out of? Brother man, I can all but hear Ornette saying, we are going to blow some minds tomorrow.. Includes Obituary, Biography, Discography, Photo, and Links. This year The Smith is excited to have National Endowment of the Arts Jazz Masters Kenny Barron (piano) and Dave Holland (bass) together on stage on Saturday, April 6. The group includes Victor Feldman, Stan Levey, and trombonist Frank Rosolino. All that listening to the trio had another effect on me. Performers: Chet Baker, tp; Phil Urso, ts; Francy Boland, p; Larance Marable, d; Scott LaFaro, b. Cloudflare Ray ID: 7a154b16ff047cd4 It was there his career exploded. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine's top 100 bass players of all time.[2]. Other times, its distilled into a moment that seems to transcend itself, and thus it went for Paul Gonsalves, hero of a Newport afternoon. Paul Motian was on drums, Nobby Totah on bass. So even a low speed accident which would be survivable in today's cars, would be a mess in an older car. When did your brother start getting interested in music? In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. [1] With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. More on his story here. Celebrating the life of Genevas legendary jazz bass hero Scott LaFaro has become an annual event at the Smith Opera House, ever since the City of Geneva declared April 3, his birthday, as Scott LaFaro Day in 2014. Before long he mastered the instrument, and he toured with trombonist Buddy Morrow and trumpeter Chet Baker. Tracks such as "Solar" (RealAudio excerpt), from the Village Vanguard sessions, highlight his ability to play high notes with surprising speed. There is a grave mistake a prospective listener can make with LaFaro, and when I say what that is, I may come off as somewhat risible, but one must do what is right: loving the Village Vanguard recordings so much that you sleep on the rest of what he achieved as a certain kind of jazz genius. Scotty also befriended the pianist-composer Victor Feldman, and recorded with him and drummer Stan Levey in January 1958. Taking a tip from Red Mitchell, he trained himself to pluck the strings of his bass with his index and middle finger independently. In 2009, Resonance Records reissued five tracks from Memories for Scotty on Pieces of Jade, together with twenty-two minutes of LaFaro and Bill Evans practising "My Foolish Heart" during a rehearsal in 1960. The two albums released by Riverside Records from that fabled performance,Sunday at the Village VanguardandWaltz for Debby, have long stood as his epitaph. But LaFaro had a pronounced Dolphy streak too, in that both musicians were playmakers, facilitators, helping others to raise their games by playing theirs at the highest level. The texture, however, is the back of the handthats the form of caress, rather than the rough-skinned palm. we do worse! Brooklyn, NY The other day at school someone mentioned Red Mitchell taking the bass which was in the car crash that killed Scott LaFaro back to Kolstein's in pieces, and Kolstein, fairly recently, restored it. Born in Newark, New Jersey, he was an influential jazz bassist best known for his work with the Bill Evans Trio. Q: What happened to your brother after Ithaca College? . LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. LaFaro died in an automobile accident on July 6, 1961 in Flint, New York on U.S. Route 20 between Geneva and Canandaigua, four days after accompanying Stan Getz . Performers: Hampton Hawes, p; Harold Land, ts; Scott Lafaro, b; Frank Butler, d. 14 Mar 1958. The Complete Village Vanguard Recordings, 1961, "The 100 Greatest Bass Players of All Time - BassPlayer.com", "It was just one afternoon in a jazz club forty years ago", "It's official: April 3 will be Scott LaFaro Day in Geneva", "Innovation and Inspiration: Geneva celebrates the life and legacy of renowned jazz musician Scott LaFaro", "Honoring Scott LaFaro in Geneva, NY: Scott LaFaro Day, street re-naming, and a special Geneva Night Out on April 4th", NAMM Oral History Interview with Helene La Faro, https://en.wikipedia.org/w/index.php?title=Scott_LaFaro&oldid=1141284283, CS1 maint: bot: original URL status unknown, Articles with dead external links from July 2021, Short description is different from Wikidata, Pages using infobox musical artist with associated acts, Articles with unsourced statements from October 2022, Creative Commons Attribution-ShareAlike License 3.0. Other birthdays Monday: Jimmy McGriff, 64; Harold Vick, 19361987; and Eric Kloss, 51. Little, another ill-fated star of the period who died at 23 in October 1961, described LaFaro in the liner notes as distant, but closea paradox that resolves only for those who were simpatico. He also recognized Scottys distinctiveness as an innovator who was much more of a conversationalist behind you than any other bassist I know[Hes] technicallyabout the greatest bassist we have. Remarking on the solo LaFaro plays on Bee Tees Minor Plea, the trumpeter said, The bass is a crude and rude instrument, but Scott makes it into something else. Helene says Scotty would have loved being described as something else, since I could remember how excited [he] was when he brought around to play for me the first record of Ornettes he owned,Something Else.. Tracks. By. Also, Club 86 was bringing in major stars as well. Your IP: When Scotty came east to play with Goodman, he shared a cold-water flat in the East 70s with Freidman that went for $18 a month. A post-bass bass player, maybe. Geller recalls that at the end of Scottys first night with the clarinetist, the two went around to hear Bill Evans. In Jeff Campbells essay, Scott LaFaro: The Complete Musician (an addendum toJade Visions), he singles out the trios performance of So What, saying that LaFaro and Kuhn engage in a brief musical dialogue just prior to the return of the theme[improvising] melodic ideas that are intertwined in a conversational manner. Campbell notes that LaFaros accompaniment on Whats New is much more activethan the traditional conventions of ballad playing., It is an interesting fact, Campbell asserts, That the earliest example of LaFaros active, conversational ballad accompaniment was with Steve Kuhn and not Bill Evans. When I ran this claim by Kuhn, he said, I dont agree with that necessarily. In Meet Me at Jim & Andy's: Jazz Musicians and Their World, Gene Lees wrote, "The shock of LaFaro's death stayed with Bill for years, and he felt vaguely guilty about itHe felt that because of his heroin habit he had made insufficient use of [their] time togetherAfter LaFaro's death, Bill was like a mane with a lost love, always looking to find its replacement. Steve Kuhn, who felt a brotherly kinship with Scotty and says his sudden death was the first major loss of my life, describes him as very strong-willed. (He also says that LaFaro, who was a fan of Formula One and sports car racing, drove a little too friskily for my taste.) A case in point was LaFaros departure from Kenton, which was precipitated by his displeasure with the bands new drummer, a situation that would repeat itself in 61 when he insisted that Stan Getz replace drummer Pete LaRoca. Postings here are the last known photographs or videos of a person. Around this time he received a greeting card from Miles Davis suggesting that Davis wanted to hire him. ai! He told Helene that Scott lived for the bassHe was looking all the time to play. Press J to jump to the feed. We all knew something important was going to happen with this guy., https://www.youtube.com/watch?v=lN4CrJ9lyzE, Jade Visionsis suffused with the perspective of an admiring, yet candid sister who overcame the grief of her beloved brothers sudden death and drew inspiration from friends and fans who urged her to write this richly evocative and musically illuminating volume. Gloria Gabriel was one of the dancers. Remembering Geneva's jazz legend Scott LaFaro: An interview with his sister Helene LaFaro-Fernandez - Smith Center for the Arts Smith Center for the Arts CONTACT US 82 Seneca Street Geneva, NY 14456 315-781-5483 BOX OFFICE Tuesday-Friday 10am-4pm ADMINISTRATIVE OFFICES by appointment boxoffice@thesmith.org Scott LaFaro was born 64 years ago . Three of the tunes from their setBaubles, Bangles and Beads; Where Do You Go; and Airegin were released on CD in 1994. Ornette drew mixed reviews everywhere including Monterey, where his performance of Youll Never Know elicited a scathing review from John Tynan, who said it was patently bad, disturbed, and utterly unhappy. Still, he singled out LaFaro for his brilliant technique and ideas [that] were remarked on by all., Scotty was given to introspective thoughts about where the music was going and what he recognized as the increasing distance between jazzs new direction and the public. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. He stuck with his new hire, offered Scotty the option of plane fare to New York or L.A., and showed him the door. LaFaro is one of those players who register to the ears like more than one man, generating a huge amount of sound with ostensibly little effort, and that sound resonating as direct, controlled, economical; this is part of the reason why. There is a creek that ran through the park, it would go up past Shuron Optical where they used this rouge chemical to make glass lenses, so the creek was always red. LaFaro was killed in a car accident ten days after the recording. Its there for a reason, and thats not solely to complement the proof of the magic that occurred at a New York City club in late June 1961. There is fealty and gratitude in Evans approach to that famed date, and we have our early summer day out with the best of chums, people we feel are our musical friends. As weve already noted regarding the time period right around his tragic death, LaFaro packed a lot of art into his days. It was then he fell in love with the tenor saxophone. This page was last edited on 24 February 2023, at 08:03. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. Well, Michael Cera did play a bassist in Scott Pilgrim Vs. the World. What kind of influence did your father have on your brothers music? Read more about this topic: Scott LaFaro, Time is here and youll go his way.Your lung is waiting in the death market.Your face beside me will grow indifferent.Darling, you will yield up your belly and becored like an apple.Anne Sexton (19281974), Poor fellow never joyed since the price of oats rose, it wasthe death of him.William Shakespeare (15641616), Ai! Like Evans, Kuhn, whod arrived on the New York scene in 1959 as a 21-year-old Harvard grad, was being managed by Helen Keane. Rocco Scott LaFaro (April 3, 1936 July 6, 1961)[1] was an American jazz double bassist known for his work with the Bill Evans Trio. I adored him, and I was thrilled to be able to work with him. Pianist Walter Norris described him as a "wild fire," and said "he never used any stimulants to enhance life, but his every moment was seriously lived to the fullest." Scott LaFaro. This article is about the 1961 Village Vanguard recordings. ), https://www.youtube.com/watch?v=4gzwXQGvXgc, LaFaro signed on with Stan Kenton for a tour in the spring of 1959. Then wed go home and have dinner and ice cream. The CD reissue of the album contains several outtakes. AMAGANSETT, N.Y. - Acclaimed tenor saxophonist Robert Berg was killed Thursday when a cement truck skidded across a snow-slicked road and rammed into his sport utility vehicle, East Hampton police said. Geller said Goodman was unhappy with his current bassist, and offered to recommend Scotty but cautioned, Bennys very conservative, dont do any of those fast things you can do. Performers: Ornette Coleman, as; Don Cherry, c; Scott Lafaro, b; Ed Blackwell, d. New York City, 31 Jan 1961. In fact, the tune Glorias Step, was an outgrowth of his interest in those chords. He also recalls getting the call from Scotty to spell the ailing Evans for a couple of nights at the Jazz Gallery. Freidman, LaRoca, and LaFaro recorded a demo session in 61 thats now available in a companion CD to the biography,Pieces of Jade. He was with Buddy Morrows band (1955-56), toured with Chet Baker (1956-57) and worked during the next few years with Ira Sullivan, Barney Kessel, Cal Tjader and Benny Goodman among others. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. I get 10 to 12 emails a day asking about Scotty. He waited until we got interested, and then he was totally supportive. [17], When I was in L.A., Scotty LaFaro and I roomed together. I was also told by classical bass players that this also changed things for them because as was with all music pretty much up until then, the bass was considered more of a rhythm instrument only. Published since 1970, JazzTimesAmericas Jazz Magazineprovides comprehensive and in-depth coverage of the jazz scene. Press question mark to learn the rest of the keyboard shortcuts, https://www.youtube.com/watch?v=gZ_rZZusz90, https://www.youtube.com/watch?v=RbTEgBEaEM4. Lets call it the chimerical voice of the rhythm sectionas well as what could often be the lead instrument when LaFaro was in your band. Scotty sort of led the way on the bass becoming a solo instrument in its own right. Ornette Coleman, Eric Dolphy, and others were also featured, and LaFaro drew notice from Dan Morgenstern inMetronomefor a solo remarkable for its technical skill and musical weight. The piece was Schullers Variants on a Theme by John Lewis (Django), which he would also appear on in December when Schullers work was recorded for the Atlantic Records release,Jazz Abstractions. He waited until we got interested, and then he was totally supportive. LaFaro-Fernandez: On Sundays our family would go to church, then go to the movies in the afternoon. His records with Bill Evans are among the finest jazz trio discs . He was visiting some friends west of Geneva and was driving home late when he crashed. You may additional context in comments. Styles. Jan. 30, 2021 1:47 PM PT. When Scotty was in sixth grade we took our first piano lessons. comments . He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long. The bass was badly damaged in the automobile accident that killed him, but was eventually restored and is sporadically used in performance to honor LaFaro. May 23, 2021. He remembered that Scotty was dressed up for the Newport appearance. Kuhn is uncertain about exactly where he met LaFaro, but says it was most likely when he heard the Evans trio at the Five Spot late in 1959. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock . Scotty and I rented a house for Mom and the girls, I got married a few months later and (soon) we all moved into a new house in a new development in West Hills. Brockton-born alto player and clarinetist Dick Johnson was also on the band. [14] On April 4, 2014 a ceremony to rename a downtown street Scott LaFaro Drive took place. He wanted the conversation back and forth between each of the players, and he wanted to play melody. I was 19 and working. Scottys death was hard on my Mom. Christian said, Scottys playing was the bible for bass playersJimmy Blanton the old testament, Scotty the new., LaFaro spent the evening of July 5 with old friends in Geneva then drove 80 miles west with Frank Ottley to visit another friend in Warsaw who was house-sitting at a place with a good stereo. Died . Upon returning to L.A., LaFaro phoned his friend Herb Geller, who was then playing alto with Benny Goodman in New York. You can read our interview with Holland here. The Sampson Air Force Base was so big that it brought in big names like Duke Ellington. When Evans returned to the trio format later in 1962, it was with Motian and bassist Chuck Israels.[2]. [citation needed], By late 1960, LaFaro was in demand as a bassist. MTV, EMA and all related titles, logos and characters are trademarks of Viacom International Inc. 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LaFaro went on to perform with Victor Feldman, Chet Baker, Benny Goodman, Stan Kenton, Stan Getz and Ornette Coleman. As he put it, being out with a leader who was a junkie put him at risk of being strandedThe tensions ebbed and flowed [that] afternoon, but strangely enough we were accomplishing what we had set out to doThe lesson to be learned here is probably something about the value of professionalism., While LaFaro was cautious about touring with Evans and eschewed drug use (Kuhn says he was healthy as a pigdidnt smoke, drink, use drugs, but he liked to drive fast), he was intrigued by Bills interest in Zen meditation, which he practiced and discussed with Helene when he stayed with her during a Getz engagement in L.A. In addition to hosting Jazz la Mode since 1984, Tom writes the jazz blog and produces the Jazz Beat podcast at NEPM. A professor encouraged him to audition for an open spot in the Buddy Morrow Orchestra. I dont blame him, said Morrow. LaFaro took the opportunity, and he was the trios helmsman. Is that a bass thing? Rocco Scott LaFaro, in a career that lasted only six years, developed skills on the upright bass that few have been able to match. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. LaFaro is heard soloing while George Duvivierplays the bass riff that Percy Heath had introduced on the first recordings of "Django" by the Modern Jazz Quartet. Helene notes that the gig was tremendously exciting for him, since to play with Kenton had been one of his dreams as a kid in Geneva. In the liner notes toThe Stan Kenton Orchestra in Concert, saxophonist Lennie Niehaus lauded LaFaros wild sound, but Kenton bandmate Steven Harris understood that a big band was hardly the ideal for him. It was then he fell in love with the tenor saxophone. 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